Reimagining Bikini Bottom in 3D for Hey Dude x SpongeBob

Hey Dude's collaboration with Paramount Studios needed to sell a shoe range through a world that already belongs to somebody else. SpongeBob SquarePants comes with decades of visual language that fans know intimately, which is exactly what makes a licensed campaign like this different from building a brand world from scratch: the job isn't inventing Bikini Bottom, it's finding a version of it that feels authentic to the source while doing something a straight cartoon frame never could.
We rebuilt Bikini Bottom as a surreal, abstract 3D world rather than a literal recreation of the show's look, then populated it with recognisable beats from the series done properly in three dimensions: jellyfishing, bubble popping, a Krabby Patty stack built up like a tower. Each of those moments needed the specific humour and friendship between SpongeBob and Patrick to survive the jump from 2D animation into a fully rendered 3D scene, which is a harder brief than it sounds. A character built for flat, exaggerated cartoon physics doesn't automatically read as itself once you give it real light, real materials and a real camera.
Working with someone else's established IP also changes the shape of the whole process. Every scene, every character pose, every prop went through Paramount's own approval chain, because brand safety on a property this recognisable isn't optional, a single frame that reads as off model can undo a lot of trust with an audience that grew up with the original. That approval layer isn't friction to route around, it's part of what makes licensed work its own discipline, you're not just designing a scene, you're designing within someone else's already established visual grammar and proving you understand it well enough to be trusted with it.
The final campaign combined stills and animation across portrait and landscape formats built for social, alongside the shoe designs themselves, four styles that carried SpongeBob's world onto the product without it feeling like a sticker slapped on top. Getting a collaboration like this right means the campaign should feel like it belongs equally to both brands, not like one borrowed the other's fame for a season. Judging by how naturally SpongeBob's world sits around the shoes in the finished work, that's the balance we were aiming for.